Lot 88 Thomas Bayrle. Rangieren. 1974. …

Rangieren. 1974. Farbserigraphie auf Bütten. 59,7 x 43,6 cm (64 x 48,2 cm). Signiert, datiert, betitelt und nummeriert. - Verso zwei punktuelle, blasse Braunflecken, sehr wenige, sehr leichte Griffspuren, insgesamt sehr gut und ausgesprochen schön. Prachtvoller, farbsatter Druck mit schmalem Rand, an zwei Seiten mit dem Schöpfrand.

Deutsche Nachkriegsmoderne – Eines von 100 Exemplaren. - Jahresgabe der Kestner-Gesellschaft, Hannover. - Das Prinzip des Seriellen ist bestimmend für Bayrles künstlerisches Werk. In den 1960er Jahren findet er mittels eines eigens entwickelten Strukturrasters zu seiner charakteristischen Bildform: ein Großbild setzt er aus vielen gleichen, sich wiederholenden Elementen zusammen. Die sog. "Superform", das Hauptmotiv, wird aus unzähligen Unterformen gebildet. Seine Arbeiten zeigen sich motivisch wie werkkonstituierend von der amerikanischen und britischen Pop Art geprägt, er thematisiert die Gesellschaft, ihre Sozialstruktur und die Entindividualisierung des Menschen in der Masse.

German Post War – Colour silk-screen on laid paper. Signed, dated, titled and numbered. - Verso two isolated, faint brown stains, very few, very slight handling traces, all in all very good and impeccably nice. Splendid, colour-rich impression with narrow margin, deckle edge on two sides. - One of 100 copies. - Annual gift by Kestner-Gesellschaft, Hannover. - The principle of seriality is decisive for Bayrle's artistic work. In the 1960s, he developes his own structural grid to create his characteristic image form: he composes a large image from many identical, repetitive elements. The so-called 'superform', the main motif, is formed from countless subforms. His works are influenced by American and British Pop Art.

Startprice: 500 €
Estimate: 750 €

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