Online Catalogue with all Lots / Auction 157
Wertvolle Bücher, Graphik, Historische Photographie
Friday, 24 October 2025 at 11:00 am Lose 1- 1105
Saturday, 25 October 2025 at 11:00 am Lose 1106-2003
Lot 632 Comte d'Irancy. La Nonne. Illustrations …
La Nonne. Illustrations Pierre Mac. Mit 25 (inkl. Titel) Illustrationen im Text u. auf Tafeln. O.O. u. Vlg. (d.i. Paris, Losfeld, um 1950.) 4°. 54 Bll. Lose Bögen in Umschlag (etwas angestaubt und berieben, Rücken des Umschlags fehlt).
Moderne Literatur und Kunst – Eins von 250 Exemplaren "sur Hymen de Colombe", hier nicht numeriert. - Die 25 erotisch-pornografischen Zeichnungen werden Foujita zugeschrieben (vgl. Erotica Universalis 722f.). Der Künstler, von Geburt Japaner, arbeitete als Maler u. Graphiker in Paris. "Man rühmt ihm eine Synthese des unerbittlich exakten Auges der japanischen Holzschnittkünstler mit westeuropäischem Impressionismus nach" (Bilderlex. II,396.). - Vorliegende Arbeit zwar weniger impressionistisch, dafür umso eindeutiger. - Vereinzelt leicht fleckig mit leichten Knickspuren und Randläsuren. Insgesamt gutes Exemplar.
Modern Literature and Art – With 25 (including title) illustrations in the text and on plates. Loose sheets in cover (somewhat dusty and rubbed, spine of cover missing). - One of 250 copies "sur Hymen de Colombe," not numbered here. - The 25 erotic-pornographic drawings are attributed to Foujita (cf. Erotica Universalis 722f.). The artist, Japanese by birth, worked as a painter and graphic artist in Paris. "He is praised for his synthesis of the relentlessly precise eye of Japanese woodcut artists with Western European Impressionism" (Bilderlex. II, 396.). - The present work, although less Impressionistic, is all the more distinct. - Occasionally slightly stained with light creases and marginal wear. Overall, a good copy.
Startprice: 200 €
Estimate: 250 €
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This piece is subject to differential taxation. There is a 28.95% buyer's premium on the hammer price. The value added tax is included but not displayable according to §25a UstG.
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