Lot 226 Joan Miró. Aus: Le Lézard aux plumes …

Aus: Le Lézard aux plumes d'or. 1967. Farblithographie auf Velin. 99 x 35,5 cm. Signiert und nummeriert. Punktuell auf Unterlage montiert, in Passepartout freigestellt und hinter Glas gerahmt (ungeöffnet). - Insgesamt in augenscheinlich sehr gutem Zustand. Prachtvoller, kreidiger Druck, die Farbe leuchtend und satt.

Französische Moderne – Maeght 452. - Eines von 100 Exemplaren. - Gedruckt bei Mourlot, Paris. - Hg. Louis Broder, Paris 1967. - Die Farblithographie Le Lézard aux Plumes d'Or gehört zu einer Serie von ursprünglich achtzehn Blättern, die Joan Miró 1967 zur Illustration seines eigenen poetischen Textes Die Eidechse mit den Goldfedern (Le Lézard aux Plumes d'Or) schuf. Diese Werkgruppe steht exemplarisch für Mirós intensive Beschäftigung mit der Verbindung von Poesie und Bildsprache sowie mit der Farblithographie als autonomem Ausdrucksmittel. Die Blätter zeigen eine ausdrucksstarke, spontane Formensprache, die von der Energie des Gestischen lebt. Typisch sind kalligrafische Linienzüge, biomorphe Figuren und freie Farbflecken in lebhaftem Rot, Gelb, Blau und Grün. Wie häufig bei Miró verschmilzt Figuration mit Abstraktion: Die titelgebende Eidechse erscheint nicht illustrativ, sondern als symbolische, fast mythische Form.

French Post War – Colour lithograph on wove paper. Signed and numbered. Mounted in spots on support, mounted in passepartout and framed behind glass (unopened). - Overall in apparently very good condition. Splendid, chalky print, the colour luminous and rich. - Maeght 452. - One of 100 copies. - Printed by Mourlot, Paris. - Ed. Louis Broder, Paris 1967. - The colour lithograph Le Lézard aux Plumes d'Or belongs to a series of originally eighteen sheets that Joan Miró created in 1967 to illustrate his own poetic text The Lizard with the Golden Feathers (Le Lézard aux Plumes d'Or). This group of works is exemplary of Miró's intensive preoccupation with the combination of poetry and visual language as well as with colour lithography as an autonomous means of expression. The sheets show an expressive, spontaneous formal language that thrives on the energy of the gestural. Typical are calligraphic lines, biomorphic figures and free spots of colour in vivid red, yellow, blue and green. As is often the case with Miró, figuration merges with abstraction: the titular lizard does not appear illustrative, but as a symbolic, almost mythical form.

Result: 4500 €

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